so…what IS a sound designer?

I’ve been working professionally as a freelance theatrical sound designer pretty consistently since I graduated college in 2016. It’s a job that I never even knew existed until just before my final semester, and how lucky I am that my mentor & recording professor Jim Anderson introduced me to it. The NU Theatre department was looking for a student to design their spring production of THE HEIDI CHRONICLES, and while I was clueless as to what the job entailed, I knew it had to do with audio engineering, and that the program QLab was involved.

With 20 (yes, twenty!!! where did the time go???) productions under my belt, I have come to learn that being a sound designer can involve a lot of things:

-Programming a QLab show file with elements including sound cues, fade cues, effect cues, and other sorts of magic to move sound through a space while actors are in it.

-Reading the script, attending production meetings & rehearsals, and considering other aspects of a design (lighting, set, costumes, props) to thoughtfully create a sonic/musical language that carries throughout a production. It’s not just the what that a show requires, but the why. That’s part of what makes it a design process versus simply writing music that fits a mood.

-Designing a speaker setup that fulfills the needs of a show. This includes: Loudness. Making sure everyone in the audience can hear everything, everywhere. Creative speaker placement behind/above/below/within the set/furniture/walls/etc. Working around lighting grids to have the speaker placement make sense without blocking lights. When resources are tight, making use of what’s available to have the best possible sound.

-Loading in. Setting up speakers. Configuring the sound system layout to work with the available soundboard, amps, cabling. Hanging stuff on a grid. Running all the cable. Programming the soundboard with the right ins and outs from QLab, live inputs, etc. Tuning the system with my favorite well recorded & sonically balanced soundcheck song (Golden Age by Beck is my go-to!)

-Composing music for shows, including (but not limited to) music at the top and bottom of the show, music for transitions, underscoring, diegetic music (music coming from within a scene that the characters also hear, like from a radio), etc. This process involves a lot of prep, because once we’re in tech, if something isn’t working, we need alternatives.  This can be hard to anticipate at times, especially if something works during rehearsals…until it doesn’t. More on this in a future post!

-Creating sound effects & field recordings of “room tones” and real life ambiences like city sounds, nighttime soundscapes, etc.

-Reading between the lines and knowing what the director means when describing how they want things to sound. i.e. Interpreting variations on the following example statement: “I want it louder…but also quieter.” Not just knowing how to interpret this, but also how to make it happen!

-In the context of a musical as a sound designer & mix engineer, the job also includes: Setting up all the lavalier mics and EQ’ing them for the actors to achieve a natural but enhanced sound in the space. Building over-ear mic rigs with floral wire & medical tape. Mic’ing up the pit band. Setting monitor levels on stage and in the pit. Programming the board so you can mix the show line by line. Perhaps most importantly, keeping track of when to turn actor mics on and off! Fiddler on the Roof had 22 actor microphones + pit band, so you can see how this can get out of hand very quickly without a plan…

-Downloading, cataloging and organizing free sound effect libraries from various places on the internet.

-Compiling pre-show/post-show/lobby music playlists to get the audience in the zone.

-???????????????????????????????????????????????????????????????? (this is a big one!!!!) For me, a lot of things don’t make total sense with a show until I’ve seen actors in person at rehearsals. Actors bring so much to the text on a page, and many times it’s easier to track the emotional arc of a show once there are real people embodying the words. I’m pretty nebulous and abstract in the way my brain works, and sometimes I have to wait for lighting to strike to find the right direction. Directors drive the stormchasing truck and I tag along until I see the right shapes in the clouds and it all makes sense.

And there you have it, folks. If you’ve been wondering what I’ve actually been doing over the past few years in my never-ending stream of being too busy to do anything besides work, this is some of it. When I tell y’all to come see a show I worked on, COME SEE THE SHOW, I’m not doing this just to entertain myself!!!! Theatre is such a fleeting art form. Once a show is gone, it’s gone!

art, baby! we loves it!


new things in the works

we’ve been on a bit of a hiatus for a while, as you might have noticed. the last year has been spent finishing up college degrees, spending time with friends, moving to new homes, taking on new jobs, and reflecting on the way things have been. lots of reflecting.

now that we’re getting on stable footing in the “real” world outside of the bubble that universities can put you in, we’re working on new music and some other things. keep checking back and we’ll have more info to come.

new additions:

  • Analogue Self is the new experimental project of producer lee schuna (formerly known as The Vacuum Party), and Positive Disintegration is lee’s techno project.
  • MDNC is a techno duo formed from lee and theji. on our bandcamp, you can find two of our live jams downloadable for free. we’re not great at sitting down to create tracks together, but live sets are fun. sometimes we record them, and sometimes we’ll put them out.

[considering my gender transition and growth as a musician and human being, it’s about time for a new name. Analogue Self is the name under which i’ll be releasing anything that’s distinctly not techno. i may release a trove of Vacuum Party demos from 2008-2014ish once I decide what material i want to recycle into new songs. flushing out the old stuff to start fresh seems nice.]

that’s about all for now in terms of news!

<# Lee

Anjimile’s first full-length studio record ‘Human Nature’ is out now

Anjimile Human Nature cover

Anjimile’s first full-length studio album, Human Nature, is a colorful, chaotic, and melodic journey into the labyrinth of thoughts and feelings we call the human condition. Death looms ominously, over this 10-track rumination on the wonders and mysteries of life and death.

Anjimile’s most introspective album to date, Human Nature signals a stylistic departure from their signature solo acoustic sound, instead opting for an eclectic mix of styles ranging from alternative rock to indie pop to experimental electro funk.

Because of the existential musings that inform the style of Human Nature, the album is divided into three acts, with each act representing a different stage of existence: Act I (You Were Born), Act II (You Will Be), and Act III (You Will Die). Act I is representative of childhood and the feelings of wonder and innocence that it embodies. Act II is representative of adolescence and the rebellion, unrest and confusion which are intrinsic to “growing up.” Act III is representative of adulthood and the acceptance of the inevitability of death.


Anjimile’s new record ‘Human Nature’ scheduled for March 2015

We’ve been hard at work recording for the past year, and as post-production winds down, the time is almost finally here. It’s a big change from Anjimile’s previous work, (think of it as “Anjimile goes electric”). Artwork (below) thanks to the wonderful Leah Corbett Photography.

Anjimile Human Nature cover


‘Human Nature’ will be released in March 2015 right here on Human Nature Records. Stay tuned for more exciting news.

Be kind to one another,

<# Lee

update for 2k15

hey humans,

2015 marks the start of a new beginning for Human Nature Records. I’m going to be hard at work prepping for our first official-official release (announcement coming soon), as well as those that will follow. This year will mean that I’ll actually have the time to do what I need to with the label, as my last internship cycle before I graduate will be focusing on Human Nature. I’m so excited to bring the music we’ve been working on to you, and I hope you enjoy it as much as we have enjoyed the process. Have a safe and happy new year. See you on the other side.

<# Lee